For a long time, I thought unfinished art meant failure. It meant I gave up. Got distracted. Lost the spark.
But now I see it differently. Unfinished pieces are part of the process. They're maps, not monuments. Clues, not conclusions.
Here's why your unfinished work might be more important than you think.
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Sometimes I start a piece with full excitement, and halfway through, I fizzle out. But instead of calling that a failure, I ask:
Unfinished pieces are teachers.
I used to abandon a portrait when the eyes weren't right. After noticing this pattern, I realized eyes were my passion point. Now I often start with them instead of leaving them for later, completely changing my creative flow and enjoyment.
Your unfinished work reveals your true creative rhythm—what lights you up and what drains you. Pay attention to where you consistently stop, and you'll discover valuable insights about your artistic process that no finished piece could tell you.
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If you're never leaving pieces unfinished, maybe you're not experimenting enough. Every sketch, every test brush stroke, every abandoned canvas--those are signs of curiosity. That's creative research.
My studio drawers are filled with half-done experiments in techniques I was curious about—watercolor bleeds, digital brushwork, mixed media collages. Each represents a question I was asking: "What happens if...?"
These unfinished experiments have taught me more about materials, color behavior, and mark-making than my polished portfolio pieces ever could. They're the playground where I discovered my love for certain textures and techniques that later became signatures in my finished work.
The artist with no unfinished pieces might be the artist who never takes risks.
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Unfinished pieces are time capsules. They show you what you were interested in--even if it didn't go anywhere. They carry energy. Emotion. Mood. They remind you that art isn't always about results. It's about presence.
Last year I found a sketchbook from my early twenties filled with abandoned flower studies. I remembered how anxious I'd been then, moving to a new city, struggling with uncertainty. Those half-finished petals captured something raw about that time that no journal entry could—the gentle way I was trying to find beauty amid chaos.
Unfinished work preserves emotional states that might otherwise be lost. The hesitant lines during periods of doubt. The bold, unrefined strokes during times of confidence or anger. They document not just what you made, but how you felt while making it.
They're honest in a way that finished, polished pieces sometimes aren't.
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Some of my favorite finished pieces came from revisiting old sketches. I didn't know they were important until later.
Keep them. Scroll back. Flip through your sketchbook.
Something there might be ready to bloom.
Just last month, I was stuck on a commission when I found a color study I'd abandoned three years ago. The unusual palette I'd been playing with—dusty teals with burnt orange—became the perfect solution for my current project. That "failed" experiment was actually just waiting for the right application.
I've started keeping an "unfinished ideas" folder specifically for this purpose. It's become my most valuable resource when I'm feeling creatively depleted. Those fragments often contain intuitive brilliance that my conscious mind wasn't ready to recognize when I first created them.
Sometimes the most powerful ideas need time to ripen.
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Even when you didn't finish--
You started.
You tried.
You showed up to the page.
And that matters more than perfection.
The unfinished pieces in your stack represent courage. Each one is evidence that you didn't wait for perfect conditions or guaranteed success. You began creating despite uncertainty.
On days when I feel like I've accomplished nothing, I remind myself that showing up counts. The half-filled sketchbook page means I prioritized creativity, even briefly. The abandoned digital canvas means I carved out time for art despite everything else competing for my attention.
This consistent showing up, regardless of outcome, is what builds an artistic life. The finished pieces may hang on walls, but the unfinished ones built your artistic muscles and habits.
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There's also something uniquely captivating about unfinished work. Art history celebrates Leonardo's sketches alongside his masterpieces. Rodin's partial figures have their own powerful presence. There's an openness, a breathing space in work that isn't completely resolved.
Some of my most meaningful feedback has come from sharing works-in-progress. The vulnerability of showing something unfinished often resonates more deeply with viewers than polished pieces. They can see themselves in the process, the struggle, the questions.
Perhaps we're all drawn to the unfinished because life itself is a perpetual work-in-progress.
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I've started using different language around my unfinished pieces. They're not abandoned—they're paused. Not failures—they're explorations. Not evidence of shortcomings—they're proof of my creative courage.
This shift has transformed how I feel walking into my studio. Instead of guilt about all I haven't completed, I feel rich with possibilities. Each unfinished piece is a conversation I can choose to continue when the time is right.
Some pieces might wait years for their completion. Others might forever remain as beautiful fragments. And that's perfectly okay.
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So next time you feel guilty about your unfinished pieces, try this: Look at them like roots. Like raw ingredients. Like little time-stamped notes from your creative spirit.
Because every single one of them brought you closer to your voice. And that makes them beautiful.
Your unfinished work isn't evidence of what you lack—it's evidence of your artistic journey. It's the visible trace of your growth, your questions, your presence. In many ways, it's the most honest part of your creative practice.
Cherish these unfinished pieces. They're not just stepping stones to finished work—they're valuable in their own right, telling the story of an artist who had the courage to begin, even without knowing the ending.
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Want to explore your style--even if it's unfinished? I invite you to join us on my upcoming course:Â Masterclass Vol II for Procreate where we take a more art-centric approach to digital art.
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Embracing the unfinished journey,
Freya ✨
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Courses and brushes by Freya Kotchakorn helped mored than 10.000 students excel in Procreate drawings.